Telling the Tale
    The Four Senses
    The Five Languages
    Honing Your Story
 Resources
What is Storytelling?
The Call of Story
Telling Your Tales
Family Storytelling
Events
Archive
The Broadcast
Contact

The highest-paid person in the first half of the next century will be the storyteller. The value of products will depend upon the story told.

Rolf Jensen

A.A. Milne, creator of Winnie the Pooh, claimed that most stories can be reduced to the following sequence of events: "A character resolves to do something, an obstacle arises, and the character attempts to overcome the obstacle. At first he meets with failure; but ultimately, he or she is successful."

Once you have chosen or created a personal story you are ready to shape it into a plot. You are looking for a way to give your story a beginning, a middle, and an end. Libraries are full of "how to" books that explain how to do this, but a few simple suggestions can get you started:

Find a way to start your story off with a bang. A catchy phrase or unique event will do the trick. For example, "I never thought I would get my thumb out of the clutches of that fish's jaws . . ."

Set Up

Next move into the setting of your story. Where are you? What is the smell, texture, or mood of where you are.

Introduce the Players

Introduce the key characters that your story revolves around. Mention particularly different or intriguing characteristics to begin painting the characters.

The Problem

Every great story begins with a conflict or a problem that will eventually be resolved in some way.

Where the "slow build" takes place.

Characters are fleshed out, mostly through dialogue and actions.

Good and evil is presented.

The problem takes shape.

The problem moves to a crisis (whether large or small).

The crisis peaks.

The characters decide their course of action.

A hero or villain is revealed.

A conclusion is given.

Every Good Story

In every story we meet a main character in a specific setting. Once we meet the main character we soon get the sense that trouble is coming. Then the crisis comes. The main character enters and goes through all of the throes of the critical event. In the process of living through the crisis, the main character either gets help or learns something new that enables survival of the crisis. Once this new learning or insight has been acquired by the main character, life is, in some way, never the same. The end of the story often comes when a recurrence of the same crisis is successfully met or when there is a 'forever after that' affirmation of some sort. -Donald Davis

An example of the Story-Form Format:
click for larger view
Click for larger image

return to top

Patterns in Storytelling

You may begin to notice that most of the stories you are telling and hearing are similar in pattern even if they are quite different in content. Look at the following version of a simple story-form format to reveal most of the important elements emerging naturally in the stories you are finding in your family.

Stories that Don't Work

Sometimes when a story doesn't quite work it may be because one or more of the components in the scheme which follows is missing. Again, this format is not a sacred formula, it is just a check-screen to help us find holes in our stories which may be more easily filled in once we know where they are. -Donald Davis

return to top

Finding the Drama

A crisis is any happening which takes a part of our lives with which we are comfortable and turns it upside down so that we have to adjust to a world that is shaped different than before. This means that many of the most significant crises in our family lives are crises we volunteer for. -Donald Davis

return to top